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125-watt bi-amplified monitor provides super-tight, distortion-free audio reproduction.
The M-808 studio monitor is an 8″, 125-watt bi-amplified unit that provides professional clarity and accuracy for super tight and distortion-free audio reproduction. Boasting an array of key components such as XLR/TRS/RCA connectors for versatile connectivity options, an adjustable high-frequency cut/boost control with a frequency range of 45Hz 20kHz, volume control and slotted ports for reduced distortion and improved imaging, the M-808 delivers incredibly natural sound. Magnetically shielded and attractively designed MDF cabinet with radiused edges, 8″ red woven glass aramid composite woofer and 1″ soft-dome tweeter further add to the monitor’s sleek and smooth appeal.
iKEY Audio M-808 Active Studio Monitor Features:
- 125 watt bi-amplified power
- 6″ red woven glass aramid composite woofer
- 1″ soft dome tweeter
- XLR/TRS/RCA connectors for superior connectivity options
- Slotted ports for reduced distortion
- Attractive design with radiused edges and red woofer
- Magnetically shielded
- Volume control
- HF control
- Power indicator
- Dimensions: 15″ x 10-1/2″ x 12″
- Weight: 23.7 lbs
Valid 07/30 only!
Reuben Rock
30 July 2009
Stupid Deal of the Day
ikey m-808 reviews, ikey monitor reviews, improved imaging, monitor speaker reviews, musicians friend, recording, rockgearreviews.com, speaker reviews, Speakers, Studio monitor, studio monitor reviews, Stupid Deal of the Day, Tweeter, Woofer

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Clean, pure sound reproduction from the latest materials technology.
Fostex employs the latest cone material technology to obtain extremely pure music reproduction with the PM0.5 MKII Active Studio Monitors. Biamplification provides 40W to the 5″ LF drivers and 18W to the extremely responsive 3/4″ soft-dome tweeters. With the MKII upgrades, the tweeters are now a one-piece assembly with a redesigned damper to eliminate interference for clearer high-frequency response, and the cabinets sport a high-gloss piano black finish on their front. The compact cabinets are specially designed to eliminate unwanted resonance and incorporate a long bass port for deep and accurate low-frequency response.
The carefully tuned enclosures and circuitry produce great full range performance with exceptional neutrality even at high SPLs. The LF driver cones are made from cut-and-milled aromatic polyamide fibers that are simultaneously resin-impregnated to achieve high rigidity and optimum damping. The cones also have an olefin film thermally adhered to their surface to control frequency response and to ensure long-term reliability. Resin-impregnated cellulose dust caps cover voice coils made of high-purity copper wire for achieve extremely low distortion. Each soft dome tweeter uses UFLC (Poly Urethane Film Laminated Cloth) technology for lightweight and quality performance. Each amplifier is precisely calibrated to match the performance capability of its driver.
Fostex PM0.5 MKII Active Nearfield Studio Monitors – Pair Specifications:
- Frequency response: 50Hz-20kHz
- 7″W x 11″H x 10″D
- 14 lbs.
Fostex PM0.5 MKII Active Nearfield Studio Monitors – Pair Features:
- Biamplified with each amp calibrated to its driver
- 40W LF/30W HF
- 5″ LF driver
- 3/4″ soft dome HF tweeter
- Independent gain control for tweeter
- One-piece tweeter assembly with redesigned damper
- High-gloss piano black front panel
- Compact, ported bass-reflex design cabinet
- LF cones made from resin-impregnated aromatic polyamide fibers with olefin film cover Resin-impregnated cellulose dust cap
- High-purity copper wire voice coil
- Poly Urethane Film Laminated Cloth technology tweeter construction
- Locking XLR/TRS combo jack input
Valid 05/24 only!
Reuben Rock
24 May 2009
Stupid Deal of the Day
cone material technology, FOSTEX, fostex monitor reviews, fostex pm0.5 reviews, monitor speaker reviews, musicians friend, recording, rockgearreviews.com, speaker reviews, studio monitor reviews, Stupid Deal of the Day, technology tweeter construction

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An incredibly smooth-sounding and accurate studio monitor designed for flexibility!
The M-Audio EX66 is a professional, high-resolution active reference monitor utilizing an MTM (midrange-tweeter-midrange) design for a wide sweet spot and minimized room reflection. It features dual 6″ custom linear-piston woofers that are highly durable and offer exceptional definition and precision. A 1″ titanium-dome tweeter produces smooth transparency without high-frequency smearing. Onboard DSP handles cabinet resonance tuning and crossover optimization to enhance incredibly accurate frequency response. Digital inputs compatible with up to 24-bit/192kHz signals and high-impedance balanced analog inputs insure that your signal path is clean.
Reuben Rock
19 April 2009
Stupid Deal of the Day
AES/EBU, DSP, m-audio ex66, m-audio ex66 reviews, m-audio reviews, monitor reviews, musicians friend, on-board digital signal processing, recording, rockgearreviews.com, S/PDIF, Speaker, speaker reviews, stereo imaging, studio monitor reviews, Stupid Deal of the Day

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An incredibly smooth-sounding and accurate studio monitor designed for flexibility!
The M-Audio EX66 is a professional, high-resolution active reference monitor utilizing an MTM (midrange-tweeter-midrange) design for a wide sweet spot and minimized room reflection. It features dual 6″ custom linear-piston woofers that are highly durable and offer exceptional definition and precision. A 1″ titanium-dome tweeter produces smooth transparency without high-frequency smearing. Onboard DSP handles cabinet resonance tuning and crossover optimization to enhance incredibly accurate frequency response. Digital inputs compatible with up to 24-bit/192kHz signals and high-impedance balanced analog inputs insure that your signal path is clean.

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Exceptional audio performance with professional looks.
Packing a serious amount of performance into a compact package, the 4″, 18W PM0.4W powered monitors feature the Fostex focus on sound quality through advanced technology. They make excellent desktop monitors for the small, home computer-based studio, or can sit comfortably on the meter bridge of a professional console as mix reference monitors. Or, you can use the PM0.4W for fixed installation in coffee houses or restaurants.
Biamplification:
The PM0-4 monitor features internal bi-amplification employing two state-of-the-art amplifiers which are precisely calibrated to match the performance of the drive units and utilize high quality discrete bipolar output devices:HF 18w, LF 18w. High-capacity power supply units are used for excellent transient response. PM0.4 offers TRS and Line inputs
High-Frequency Tweeter:
The soft dome tweeter employs Fostex’s UFLC technology (Poly Urethane Film Laminated Cloth) to achieve high-performance stability.
Low-Frequency Driver:
The 4″ woofer uses a mixture of cut and milled fibers made from aromatic polyamide, impregnated with resins to simultaneously achieve high rigidity and optimum damping. An olefin film is thermally adhered to its surface to control frequency response and ensure reliability. Distortion is minimized by the use of an ultra-pure copper voice coil.
Fostex PM0.4W Powered Studio Monitors White Specifications:
- Tweeter: .62 (16mm)
- Soft Dome
- Woofer: 3.93 (100mm)
- Aromatic Polymide
- Frequency Response: 60Hz To 30khz
- Low Frequency Cut-off: 60Hz (-10dB)
- High Frequency Cut-off: 22kHz (-10dB)
- Amp Power: 18W To Lows, 18W To Highs
- Amp Distortion: <0.1% T.H.D. @ 12w 4 Ohm 20Hz – 20kHz
- Amp Signal to noise: >75dB 20Hz 30kHz (not weighted)
- Dimensions: 5-3/4″W X 8-11/16″H X 7-1/8″D
- Weight: 8 Lbs. Each
Fostex PM0.4W Powered Studio Monitors White Features:
- Exclusively designed 4″ Woofer and UFLC 0.65″ Soft Dome Tweeter
- High efficient bi-amp drive with 18W each for LF and HF
- Independent amplifier in both L and R units.
- Beautiful glossy black front baffle
- Magnetically shielded for proximate setting to video monitor
Valid 02/22 only!

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My home studio needed some quality monitors, but nothing as big and bulky as an 8″ goliath. So I headed on over to the local music store to take a listen to some smaller options. These Alesis speakers hit the mark and exceeded my expectations.
Here’s what I love about them: after mixing a couple tracks at home and comparing them to tracks done in my commercial studio, I was stunned. The home studio mix was three times better! Unbelievable, I know. But it’s the truth. The bass was tighter despite these monitors only having a 5″ driver. And the highs aren’t all hyped up like some of the more popular monitors on the market.
The best part is the selectable bass control on the back. I needed it because I mix in the corner of a room. The option to roll the lows off and control them more precisely was just what I needed. That option alone makes these the perfect choice for any home studio. Go try them yourself. You won’t be let down.
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Click Here To See It Now At Zzounds!
